This project aim it's to get back the abstract expressionism; matter of fact can be considered as revision according a conceptual point of view of that movement: paintings has the strenght, the capacity to pass a message to the spectator and to communicate directly with the pubblic thru metalanguage itself, going to obtain a self identity completely indipendent from the construction of a caption or of a speech made by the artist; too often, everyday the spectator is the real receptor of message and not the active subject of a deeply communication. The pittorical revolutions that authors as De Kooning, Motherwell, Rothko have reached, during 50's of last century, were carved in the memory and in the subconscious of artists that still follow them. Obviously, after years, were missed basic principles of revolutions, but it still presents the technical aspect of their paintings even if, everyday, it's used as real tool in the infinitive possibility of visual art, to reach aesthetic objects mostly figuratives. The interest and inspiration of this project it's getting back the relationship between abstract and pubblic; between an art quite difficult to enterpreter because it's not figurative and so not ricognizable to the spector. The aim it's to abtain an intuitive interaction and an emotional tie with the same picture. Each of this thirteen works it's not only the result of a personal research of colours and composition but even reflession on the current historical moment, on society, on arts, the beauty and the big philosophical questionings that, as usual, has encouraged men's curiosity. In this exhibition, the spectator can have a dialogue directly with the works according to an intimate and poetic language,sometimes forgotten, remembering one of the main cultural growth engine of a society and of the individual and also of denounce, it's art, in its lyrical and aesthetic forms. |
Press Conference